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The film is composed of a comic series of short vignettes shot in black and white built on one another to create a cumulative effect, as the characters discuss things such as caffeine popsicles, Paris in the 1920s, and the use of nicotine as an insecticide – all while sitting around drinking coffee and smoking cigarettes. The theme of the film is absorption in the obsessions, joys, and addictions of life, and there are many common threads between vignettes, such as the Tesla coil, medical knowledge, the suggestion that coffee and cigarettes don't make for a healthy meal (generally lunch), cousins, The Lees (Cinqué and Joie, and a mention of Spike Lee), delirium, miscommunication, musicians, the similarities between musicianship and medical skill, industrial music, acknowledged fame, and the idea of drinking coffee before sleeping in order to have fast dreams. In each of the segments of the film, the common motif of alternating black and white tiles can be seen in some fashion. The visual use of black and white relates to the theme of interpersonal contrasts, as each vignette features two people who disagree completely yet manage to sit amicably at the same table.

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PLOT SEGMENTS

The eleven segments that make up the film are as follows:

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Strange to Meet You

This is the original 1986 short Coffee and Cigarettes with Roberto Benigni and Steven Wright having a conversation about coffee and cigarettes. Steven tells Roberto about his coffee ideas, such as freezing it into "caffeine Popsicles" for kids, and how he likes to drink coffee right before he goes to sleep so he can dream faster "like a camera on those Indy 500 cars". Roberto does not understand anything he says but is entertained to listen. They experiment with switching chairs,but decide to switch back again. Steven suddenly remembers he has a dentist appointment that he is afraid to go to, but has to. Roberto happily volunteers and goes instead of him.

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Twins

Originally the 1989 short Coffee and Cigarettes, Memphis Version – aka Coffee and Cigarettes II – this segment features Joie Lee and Cinqué Lee as the titular twins and Steve Buscemi as the waiter who expounds on his theory on Elvis Presley's evil twin. Cinqué Lee also appears in "Jack Shows Meg his Tesla Coil". The scene also features a recounting of the urban legend that Elvis Presley made racist comments about African Americans during a magazine interview.

 

Somewhere in California

Main article: Coffee and Cigarettes: Somewhere in California

Filmed in 1993 as the short Coffee and Cigarettes - Somewhere in California, and won the Short Film Palme d'Or at the Cannes Film Festival. In this segment musicians Iggy Pop and Tom Waits smoke cigarettes to celebrate that they quit smoking, drink some coffee and make awkward conversation.

 

Those Things'll Kill Ya

Joseph Rigano and Vinny Vella have a conversation over coffee about the dangers of smoking. The silent Vinny Vella Jr. also appears to beg his father for money, which is given in exchange for affection, which is not provided.

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Renée

Renée French (played by herself) drinks coffee while looking through a gun magazine. E. J. Rodríguez plays the waiter, who is eager to be of service. He initially approaches her to serve more coffee, to which she reacts by saying "I had the right color, right temperature, it was just right". After that, he comes back several times, hesitates, and leaves. He seems intent on striking up a conversation with her.

 

No Problem

Alex Descas and Isaach De Bankolé are a couple of friends who meet and talk over some coffee and cigarettes. Alex has no problems, or so he answers to Isaach's repeated questioning. At the end of the scene, Alex takes out a pair of dice and rolls three sets of doubles. It could be assumed that he has a gambling problem but to him it appears to be a non-issue. Despite this, he doesn't roll the dice in front of his friend.

 

Cousins

Cate Blanchett plays herself and a fictional and non-famous cousin named Shelly, whom she meets over some coffee in the lounge of a hotel. There is no smoking in the lounge, as the waiter informs Shelly (but not until Cate is gone). Shelly tells Cate about her boyfriend, Lee, who is in a band. She describes the music style as hard industrial, similar to the band Iggy describes. Cate tells Shelly she looks forward to meeting "Lou" someday

 

Jack Shows Meg His Tesla Coil

Features Jack and Meg White of the band The White Stripes having some coffee and cigarettes. They play themselves, although the scene seems to perpetuate the band's former pretense that they are indeed siblings. Jack shows Meg his Tesla coil that he says he built himself and waxes intellectual on the achievements of Nikola Tesla. In the beginning, Jack seems upset that Meg doesn't share his excitement, and it takes Meg some coaxing to get Jack to agree to show Meg his Tesla coil. 

 

Cousins?

British actors Alfred Molina and Steve Coogan have a conversation over some tea. (Coogan offers Molina a French cigarette, but Molina saves his for later.) Molina is a very enthusiastic fan of Coogan's, who contrarily is very uninterested at their meeting and barely manages to hide this. Molina excitedly shares with him research he came across, learning that they are distant cousins, and proposes a friendship or show business project to capitalize on this. 

 

Delirium

Hip-hop artists (and cousins) GZA and RZA of the Wu-Tang Clan drink naturally caffeine-free herbal tea and have a conversation with the waiter, Bill Murray, about the dangers of caffeine and nicotine. During this conversation GZA makes a reference to how he would drink lots of coffee before going to bed so his dreams would "whip by" similar to the camera-shots at the Indy 500, very similar to the same reference that Steven Wright did in the first segment. 

 

Champagne

William "Bill" Rice and Taylor Mead spend their coffee break having a nostalgic conversation, whilst Janet Baker singing "Ich bin der Welt abhanden gekommen" from Mahler's Rückert-Lieder appears from nowhere. William Rice repeats Jack White's line, "Nikola Tesla perceived the earth as a conductor of acoustical resonance." It is possible to interpret the relevance of this line to the constant recurrent themes throughout the seemingly unconnected segments.